Broken Harbour - Страница 5

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“We’ve been getting her calmed down a bit, off and on, but every time…” The uniform threw a harassed look over his shoulder at the car. “The paramedics wanted to give her a sedative, but she wouldn’t take it. We can get them back, if-”

“Keep trying. I don’t want her sedated if we can help it, not till we’ve talked to her. We’re going to take a look around the scene. The rest of the team are on their way: if the pathologist arrives, you can have him wait here, but make sure the morgue boys and the Tech Bureau keep their distance till we’ve had a go at the sister-one look at them and she’ll flip out for real. Apart from that, keep her where she is, keep the neighbors where they are, and if anyone happens to wander up, keep him where he is too. Clear?”

“Grand,” said the uniform. He would have done the chicken dance if I’d told him to, he was so relieved that someone was taking this thing off his hands. I could see him itching to get down to his local and throw back a double whiskey in one gulp.

I didn’t want to be anywhere except inside that house. “Gloves,” I said to Richie. “Shoe covers.” I was already flipping mine out of my pocket. He fumbled for his, and we started up the drive. The long boom and shush of the sea rushed up and met us head-on, like a welcome or a challenge. Behind us, those shrieks were still coming down like hammer blows.

2

We don’t get crime scenes to ourselves. They’re off-limits, even to us, till the Bureau techs give the all clear. Until then, there are always other things that need doing-witnesses who need interviewing, survivors who need notifying-and you do those, check your watch every thirty seconds and force yourself to ignore the fierce pull from behind that crime-scene tape. This one was different. The uniforms and the paramedics had already trampled over every inch of the Spains’ house; Richie and I weren’t going to make anything worse by taking a quick look.

It was convenient-if Richie couldn’t hack the bad stuff, it would be nice to find out without an audience-but it was more than that. When you get a chance to see a scene that way, you take it. What waits for you there is the crime itself, every screaming second of it, trapped and held for you in amber. It doesn’t matter if someone’s cleaned up, hidden evidence, tried to fake a suicide: the amber holds all that too. Once the processing starts, that’s gone for good; all that’s left is your own people swarming over the scene, busily dismantling it print by print and fiber by fiber. This chance felt like a gift, on this case where I needed it most; like a good omen. I set my phone on silent. Plenty of people were going to want to get hold of me, over the next while. All of them could wait till I had walked my scene.

The door of the house was a few inches open, swaying gently when the breeze caught it. When it was in one piece it had looked like solid oak, but where the uniforms had splintered it away from the lock you could see the powdery reconstituted crap underneath. It had probably taken them one shove. Through the crack: a geometric black-and-white rug, high-trend with a high price tag to match.

I said to Richie, “This is just a preliminary walk-through. The serious stuff can wait till the Bureau lads have the scene on record. For now, we don’t touch anything, we try not to stand on anything, we try not to breathe on anything, we get a basic sense of what we’re dealing with and we get out. Ready?”

He nodded. I pushed the door open with one fingertip on the splintered edge.

My first thought was that if this was what Garda Whatever called disorder, he had OCD issues. The hallway was dim and perfect: sparkling mirror, organized coatrack, smell of lemon room freshener. The walls were clean. On one of them was a watercolor, something green and peaceful with cows.

My second thought: the Spains had had an alarm system. The panel was a fancy modern one, discreetly tucked away behind the door. The OFF light was a steady yellow.

Then I saw the hole in the wall. Someone had moved the phone table in front of it, but it was big enough that a jagged half-moon still poked out. That was when I felt it: that needle-fine vibration, starting in my temples and moving down the bones into my eardrums. Some detectives feel it in the backs of their necks, some get it in the hair on their arms-I know one poor sap who gets it in the bladder, which can be inconvenient-but all the good ones feel it somewhere. It gets me in the skull bones. Call it what you want-social deviance, psychological disturbance, the animal within, evil if you believe in that: it’s the thing we spend our lives chasing. All the training in the world won’t give you that warning when it comes close. You get it or you don’t.

I took a quick look at Richie: grimacing and licking his lips, like an animal that’s tasted something putrid. He got it in his mouth, which he would need to learn to hide, but at least he got it.

Off to our left was a half-open door: sitting room. Straight ahead, the stairs and the kitchen.

Someone had put time into doing up the sitting room. Brown leather sofas, sleek chrome-and-glass coffee table, one wall painted butter yellow for one of those reasons that only women and interior designers understand. For the lived-in look, there was a good big telly, a Wii, a scattering of glossy gadgets, a little shelf for paperbacks and another one for DVDs and games, candles and blond photos on the mantelpiece of the gas fire. It should have felt welcoming, but damp had buckled the flooring and blotched a wall, and the low ceiling and the just-wrong proportions were stubborn. They outweighed all that loving care and turned the room cramped and dim, a place where no one could feel comfortable for long.

Curtains almost drawn, just the crack that the uniforms had looked through. Standing lamps on. Whatever had happened, it had happened at night, or someone wanted me to think it had.

Above the gas fire was another hole in the wall, about the size of a dinner plate. There was a bigger one by the sofa. Pipes and straggling wires half showed from the dark inside.

Beside me Richie was trying to keep the fidgeting down to a minimum, but I could feel one knee jiggling. He wanted the bad moments over and done with. I said, “Kitchen.”

It was hard to believe that the same guy who had designed the sitting room had come up with this. It was a kitchen-cum-dining-room-cum-playroom, running the whole length of the back of the house, and it was mostly made of glass. Outside the day was still gray, but the light in that room was full and dazzling enough to make you blink, with a lift and a clarity that told you the sea was very near. I’ve never been able to see why it’s supposed to be a plus if your neighbors can check out what you’re having for breakfast-give me net-curtain privacy any day, trendy or not-but that light almost made me understand.

Behind the trim little garden there were two more rows of half-built houses, crowding stark and ugly against the sky, a long banner of plastic flapping hard from a bare beam. Behind them was the estate wall, and then as the land fell away there it was, through the raw angles of wood and concrete: the view my eyes had been waiting for all day long, ever since I heard myself say Broken Harbor. The rounded curve of the bay, neat as the C of your hand; the low hills cupping it at each end; the soft gray sand, the marram grass bending away from the clean wind, the little birds scattered along the waterline. And the sea, high today, raising itself up at me green and muscled. The weight of what was in the kitchen with us tilted the world, sent the water rocking upwards like it was going to come crashing through all that bright glass.

That same care that had trendified the sitting room had gone into making this room cheerful and homey. Long table in pale wood, sunflower yellow chairs; a computer on a wooden desk painted yellow to match; colored plastic kid stuff, beanbags, a chalkboard. There were crayon drawings framed on the walls. The room was neat, especially for a place where kids played. Someone had tidied up, as the four of them moved onto the furthest edge of their last day. They had made it that far.

The room was an estate agent’s dream, except that it was impossible to imagine anyone living there, ever again. Some frantic struggle had thrown the table over, slamming one corner into a window and cracking a great star across the glass. More holes in the walls: one high above the table, a big one behind an overturned Lego castle. A beanbag had burst open and spilled tiny white pellets everywhere; a trail of cookbooks fanned out across the floor, shards of glass glinted where a picture frame had smashed. The blood was everywhere: fans of spatter flying up the walls, crazy trails of drips and footprints crisscrossing the tile floor, wide smears on the windows, thick clumps soaked into the yellow fabric of the chairs. A few inches from my feet was one ripped half of a height chart, big beanstalk leaves and a climbing cartoon kid, Emma 17/06/09 almost obliterated by clotting red.

Patrick Spain was at the far end of the room, in what had been the kids’ play area, among the beanbags and crayons and picture books. He was in his pajamas-navy top, navy-and-white-striped bottoms splotched with dark crusts. He was facedown on the floor, one arm bent under him, the other stretched out over his head, like right up until the last second he had been trying to crawl. His head was towards us: trying to reach his kids, maybe, for whichever reason you choose. He had been fair-haired, a tall guy with broad shoulders; the build said maybe rugby, way back when, going to seed now. You would have wanted to be pretty strong, pretty angry or pretty crazy to take him on. Blood had turned sticky and dark in a puddle spreading from under his chest. It was smeared all around with a godawful tangle of swipes, handprints, drag marks; a snarl of mixed footprints came out of the mess and headed towards us, fading to nothing halfway across the tiles, like the bloodstained walkers had dissolved into thin air.